"Neo Romance: Gender Renegotiation in Harlequin Romance Novels" by Amanda L. Breeden
 

Dissertations and Theses @ UNI

Availability

Open Access Thesis

Keywords

Romance fiction--History and criticism; Romance-language fiction; Sex role in literature; Criticism, interpretation, etc; Academic theses;

Abstract

Mass-market romance novels remain top sellers among popular fiction and paperback in the American market; however, academic scholarship examining the popular romance novel is dated. The purpose of this thesis is to examine the gender roles of the heroine and hero characters within the novels. This thesis is a content analysis that examines seventy-two Harlequin romance novels, publication dates 1971-2006. The findings in this thesis suggest that the gender roles of the heroine and hero deviate drastically from those analyzed in the 1980's and 1990's, specifically regarding sexuality and gender performance. Neo Romance emerges, characterized by a sexually aggressive, autonomous heroine; the disappearance of the hero character; and a new "happy ending" - one that does not necessarily end in heterosexual coupling.

Year of Submission

2007

Degree Name

Master of Arts

Department

Department of History

First Advisor

Barbara Cutter

Second Advisor

Karen Mitchell

Third Advisor

Samuel Gladden

Comments

If you are the rightful copyright holder of this thesis and wish to have it removed from the Open Access Collection, please submit a request to scholarworks@uni.edu and include clear identification of the work, preferably with URL.

Date Original

2007

Object Description

1 PDF file (111 leaves)

Language

en

File Format

application/pdf

Share

COinS