Abstract
In light of evolving questions of the role and efficacy of political humor in addressing the exigency of a second Donald Trump presidency, this study analyzes two extended satirical story arcs critical of Trump and MAGA from award-winning adult animated comedy South Park. The study utilizes three of Kenneth Burke’s rhetorical frames of acceptance and rejection (comedy, tragedy, and burlesque) to contrast South Park’s two most substantive satirical statements on Trump and MAGA: Season 19 and 20’s comparatively humane and introspective satire on Trump’s 2015-16 candidacy and Season 27-28’s dehumanizing mockery of Trump’s ongoing second presidency (2025-). The analysis suggests South Park’s 2025’s application of Burke’s burlesque frame of rejection resonated culturally whereas 2015-16’s application of Burke’s comic frame of acceptance, traditionally preferred by Burke and Burkean scholars, failed to adequately address Trump’s political ascendance due to extending to Trump and MAGA what rhetorician Mike Milford deems “cheap grace”: comic forgiveness that seeks deeper understanding of a misguided opponent but is powerless to hold said opponent accountable for transgressions, permitting the transgressor to avoid accountability and deny the Burkean imperative of comic introspection.
Journal Title
Iowa Journal of Communication
Volume
58
Issue
1
First Page
128
Last Page
156
Language
en
File Format
application/pdf
Recommended Citation
Foy, Matt
(2026)
""Donald Trump Is Definitely Fucking Satan": South Park, Media Satire, and Shifting Frames of Acceptance and Rejection for Two Trump Presidencies,"
Iowa Journal of Communication: Vol. 58:
No.
1, Article 9.
Available at:
https://scholarworks.uni.edu/ijc/vol58/iss1/9
Copyright
©2026 Iowa Communication Association
