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Abstract

In the weeks after 9/11, businesses sought to reconnect with their clients and colleagues through ads in the New York Times, a number of which were framed as letters. Drawing on the literatures of epistolary critique, visual meaning, and rhetorical criticism, we explore the strategy of framing ads as letters. We use Peirce's typology to classify the ads into iconic, indexical or symbolic frames. Our initial assumption that more graphically iconic ads would rely less on textual metaphor and vice versa, is confirmed. Finally, we encourage the consideration of epistolary rhetoric as a critical tool of analysis.

Journal Title

Iowa Journal of Communication

Volume

35

Issue

1

First Page

1

Last Page

17

Language

en

File Format

application/pdf

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