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Abstract

In his memoir, Wordstruck, Robert MacNeil affirms his love of the English language in all its forms: from the Canadian English he learned as a schoolboy in Halifax to Laurence Olivier's Shakespearean cadences to the voices of the BBC during World War II, from Cockney to West Indian to Texan to American black idioms. Throughout his life, the sounds of the spoken language have struck MacNeil - as a child hearing his mother read, as an adolescent actor, as a student of T. S. Eliot and Dylan Thomas, and as a broadcast journalist.

Journal Title

Iowa Journal of Speech Communication

Volume

21

Issue

2

First Page

43

Last Page

48

Language

en

File Format

application/pdf

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