Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925
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Description
As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy.
Keywords
African Americans -- Music -- History and criticism; Popular music -- United States -- 19th century -- History and criticism; Popular music -- United States -- 20th century -- History and criticism; Minstrel music -- United States -- History and criticism; Music and race -- United States -- History;
Document Type
Book
ISBN
9780226451503
Publication Date
2017
Publisher
University of Chicago Press
Department
Department of History
Object Description
x, 360 pages : illustrations ; 23 cm
Language
en
Recommended Citation
Roberts, Brian, "Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925" (2017). Faculty Book Gallery. 704.
https://scholarworks.uni.edu/facbook/704