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Abstract

The form in which Plato chose to inscribe his thought presents teachers with a problem. Its starkness, its self-imposed restrictions on descriptive and narrative content, and what is sometimes perceived as its manipulative commitment of dramatic convention to a didactic purpose all prompt students new to Plato to ask why he wrote the sort of dialogues he did.

Journal Title

Iowa Journal of Speech Communication

Volume

24

Issue

1

First Page

42

Last Page

55

Language

en

File Format

application/pdf

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