Dissertations and Theses @ UNI

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Open Access Thesis

Keywords

Suffragists--United States--History; Political cartoons--History; Editorial cartoons--United States--History; Editorial cartoons; Political cartoons; Suffragists; Suffragists in literature; United States; Life (New York, NY) History; Harper's weekly History; Life (New York, NY); History; Academic theses;

Abstract

The 1890s onward ushered in a younger generation of female pro-suffragists in the United States of America (USA). Theoretically slamming the door on the prescriptive ideal of domesticity and women's abstinence from vice and exercise, they disrupted the "traditional" gender fiction or arrangement. In doing so, they made unequivocal that gender, 'race,' and class were not merely culturally constructed categories of identity, but products of the heteropatriarchal power structure which produce and reproduce masculine dominance over women. These female pro-suffragists were, more often than not, condemned by contemporary popular press. They were prevalently depicted as elite white women seeking amusement and escape from the ennui of their monotonous leisure-filled daily existence. Other times they were either being dragged down from their awarded morally superior pedestal or being portrayed as pseudo men, robbed of all that was graceful, gentle, and pure. This thesis, then, uses the suffrage cartoons of Life and Harper's Weekly from 1890 to 1916 to delve into ideals of femininity and masculinity while recognizing the multiplicity and the relational nature of women's experiences. It explores the multiplicity of the women who championed the cause and explains the misconception of the movement as one waged by white, native-born, elite (middle/upper-class) women. A reexamination of the debate surrounding the spiritual home, the nature and meaning of women's alleged superior morality, and the ballot box follows. Then comes a concentration of gender bending suffragettes and husbandettes and gender trouble in the movement.

Year of Submission

2006

Degree Name

Master of Arts

Department

Department of History

First Advisor

Barbara A. Cutter

Second Advisor

Sara L. Kimble

Third Advisor

Brian E. Roberts

Comments

If you are the rightful copyright holder of this thesis and wish to have it removed from the Open Access Collection, please submit a request to scholarworks@uni.edu and include clear identification of the work, preferably with URL.

Date Original

2006

Object Description

1 PDF file (183 leaves)

Language

en

File Format

application/pdf

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